Show user albums GOOZLE - Odimusic - Download Italo Disco Pop Funk Rock Soul Rare And Hard To Find Music On Vinyl (Rapidshare, Filesonic, Torrent, Zshare, Uploaded, 4shared)

The Power Station - Some Like It Hot And The Heat Is On (Maxi Single) 1985

GOOZLE — Wed, 19 Jan 2011 20:13:00 +0100

[url=http://4.bp.blogspot.com/_4l5G8PBnItc/Se1QBVnn-BI/AAAAAAAAF_k/nhqbBDFkAoE/s1600-h/back.jpg]

http://oron.com/ncz3egvkinze/00fh.rar.html

Jimmy Isle "High School Rock 'n Roll: The Isle Connection 1957-1963"

GOOZLE — Wed, 08 Sep 2010 21:21:35 +0200

.
01. Jimmy Isle - Billy Boy
02. Jimmy Isle - Diamond Ring
03. Jimmy Isle - Everybody Gotta' Little Girl But Me
04. Ron Isle - Everybody Gotta' Little Girl
05. Johnson Brothers - Find Another Heart
06. Jimmy Isle - Goin' Wild
07. Ron Isle - Heaven Knows
08. Ron Isle - I Want To Love You Forever
09. Mark Taylor - I'm Waiting Just For You
10. Jimmy Isle - I've Been Waitin'
11. Jimmy Isle - It Figures
12. Jimmy Helms - It Was Ours
13. Dean Beard - Little Lover
14. Johnson Brothers - Love Ain't Got A Thing
15. Jimmy Isle - Stay By My Side
16. Jimmy Isle - Time Will Tell
17. Jimmy Isle - What A Life
18. Jimmy Isle - Without A Love
19. Jimmy Isle - Baby-O
20. Scotty McKay - Little Miss Blue
21. Jimmy Isle - Oh, Judy
22. Jimmy Isle - Patches
23. Jimmy Isle - Together
24. Jimmy Isle - You And Johnny Smith
.
Front- and back-cover are included
.

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JAMES GANG - YER' ALBUM (ABC-BLUESWAY 1969) Jap mastering cardboard sleeve

GOOZLE — Sat, 27 Mar 2010 08:20:20 +0100

Formed in 1967 in Cleveland, Ohio, USA, the embryonic James Gang comprised Glenn Schwartz (guitar/vocals), Tom Kriss (bass/vocals) and Jim Fox (drums/vocals). Schwartz left in April 1969 to join Pacific Gas And Electric, but Joe Walsh (b. Joseph Fidler Walsh, 20 November 1947, Wichita, Kansas, USA) proved a more than competent replacement. Yer' Album blended originals with excellent interpretations of material drawn from Buffalo Springfield ("Bluebird") and the Yardbirds ("Lost Woman"). The band enjoyed the approval of Pete Townshend, who admired their mature cross-section of British and "west coast" rock.
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The James Gang's debut LP, Yer' Album, was very much a first record and very much a record of its time. The heavy rock scene of the period was given to extensive jamming, and four tracks ran more than six minutes each. The group had written some material, but they were still something of a cover band, and the disc included their extended workouts on Buffalo Springfield's "Bluebird" and the Yardbirds' "Lost Woman," the latter a nine-minute version complete with lengthy guitar, bass, and drum solos. But in addition to the blues rock there were also touches of pop and progressive rock, mostly from Walsh who displayed a nascent sense of melody, not to mention some of the taste for being a cutup that he would display in his solo career. Walsh's "Take a Look Around" must have made an impression on Pete Townshend during the period before the album's release when the James Gang was opening for the Who since Townshend borrowed it for the music he was writing for the abortive Lifehouse follow-up to Tommy. If "Wrapcity (i.e., Rhapsody) in English," a minute-long piano and strings interlude, seems incongruous in retrospect, recall that this was an eclectic era. But the otherwise promising "Fred," which followed, broke down into a pedestrian jazz routine, suggesting that the band was trying to cram too many influences onto one record and sometimes into one song. Nevertheless, they were talented improvisers, as the open-ended album closer, Jerry Ragavoy and Mort Shuman's "Stop," made clear. After ten minutes, Szymczyk faded the track out, but Walsh was still going strong. Yer' Album contained much to suggest that the James Gang, in particular its guitarist, had a great future, even if it was more an album of performances than compositions...(allmusic)

Download

Here

VISIONS - Call Me Tonight (1986)

GOOZLE — Fri, 09 Oct 2009 23:31:18 +0200

TRACK LIST:
A Call Me Tonight
B Call Me Tonight (Instrumental Version)
(Incluye Tapa, Vinilos y Contratapa)

Label: Academy Records
Catalog#: ACD 8506
Format: Vinyl, 12"
Country: Italy
Released: 1986
Genre: Electronic
Style: Italo-Disco
Credits: Arranged By, Mixed By, Producer - Marius Percali , Matteo Baggio
Engineer - Mario Flores
Written By - M. Percali , P. Fidelfatti
Notes: Recorded at Rimini Studio

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Password: visions1986 (Y aparecio ALE L. con un 100% ITALO.... ENJOY!!!) +10

Nicole Willis - "Soul Makeover" (2000)

GOOZLE — Mon, 24 Aug 2009 21:23:09 +0200

Esta semana hice un rpido repaso por mis discos favoritos de los noventa y volv a escuchar "Headz" (1994), la fundacional recopilacin del sello Mo' Wax encargada de confirmar que el fulgor del Trip Hop trascenda las brumas de Bristol. Me puse a buscar informacin sobre el sello de James Lavelle y descubr que la primera referencia que haba editado fue "Promise" (1992), el simple debut de Repercussions. Quienes son los Repercussions? Un grupo ingles de acid jazz, cuyo hit "Promise Me Nothing" est incluido en la recopilacin que poste

, y que en 1994 particip en "Tribute To Curtis Mayfield" interpretando junto a l una versin de "Let's Do It Again". Que tiene que ver Nicole Willis con Repercussions? Bueno, era la vocalista del grupo... Ya ven, el mundo es un pauelo. De todas maneras, y ms all de los juegos, Nicole Willis es una favorita de la casa. Leo en la Wiki que naci en Brooklyn en 1963, que se mud a Londres a mediados de los ochenta y que -este no deja de ser un dato curioso- sali de gira con The The, el seudnimo detrs el cual se esconde Matt Johnson. Su primer papel protagnico lo encontr junto a Repercussions, con quienes grab dos discos. En 1999 se cas con Jimi Tenor, y de su mano edit "Soul Makeover", su primer trabajo solista.

"Soul Makeover" (2000) es la anttesis de "Keep Reachin' Up". Aqu podemos encontrar ecos del acid jazz de los Repercussions o del neo soul que estaba en boga por esos das, pero termina prevaleciendo la electrnica. La palabra clave para definir este disco es elegancia ya que "Soul Makeover" fue concebido para seducir con sus delicadas formas. Est repleto de matices y detalles, como todas las creaciones que involucran a Jimi Tenor, quien produjo el lbum junto a Maurice Fulton. Las citas a la obra de Tenor son abundantes, aunque el resultado final se diferencia de esta gracias a la suntuosidad vocal de Nicole. Ms adelante vendra el acercamiento al soul tradicional que signific "Be It" (2004) y su consolidacin en "Keep Reachin' Up" (2005). "Soul Makeover" es la representacin del vacio ms exquisito.

Track list:
01. I'm Not Going
02. All The Time
03. Bliss Of Life
04. Heed The Sign
05. Soul Makeover
06. Siesta
07. Curiosity
08. Gonna Get Yours
09. Xibeca
10. Dinosaur!
11. Curiosity (Candy Apple Remix)
12. All The Time (Roberto Rodrigues Remix)
13. Heed the Sign (Maurice Fulton Remix)

JAMES GANG - THIRDS (ABC 1971) Jap mastering cardboard sleeve

GOOZLE — Mon, 24 Aug 2009 21:23:02 +0200

The James Gang Rides Again set the stage for the group's third album to propel them to Top Ten, headliner status, but that didn't happen. The band was on its last legs, rent by dissension as Walsh became the focus of attention, and the appropriately titled Thirds reflected the conflict. Among the nine original songs, four were contributed by Walsh, two each by bass player Dale Peters and drummer Jim Fox, and one was a group composition. But it was Walsh's songs that stood out. His "Walk Away," was the first single, and it climbed into the Top 40 in at least one national chart, the group's only 45 to do that well. "Midnight Man," the follow-up single, was another Walsh tune, and it also made the charts. The Fox and Peters compositions were a step down in quality, particularly Peters'. But the problem wasn't just material, it was also musical approach. James Gang Rides Again had emphasized the band's hard rock sound, which was its strong suit. But they had never given up the idea of themselves as an eclectic unit, and Thirds was their most diverse effort yet, with pedal steel guitar, horn and string charts, and backup vocals by the Sweet Inspirations turning up on one track or another. At a time when Walsh was being hailed as a guitar hero to rank with the best rock had to offer, he was not only submerging himself in a group with inferiors, but also not playing much of the kind of lead guitar his supporters were raving about. As a result, though Thirds quickly earned a respectable chart position and eventually went gold, it was not the commercial breakthrough that might have been expected...(allmusic)Here

IAN MATTHEWS - IF YOU SAW THRO' MY EYES (VERTIGO 1971) Jap mastering cardboard sleeve

GOOZLE — Mon, 24 Aug 2009 21:23:02 +0200

In late 1970, shortly after his band Matthews Southern Comfort hit number one in Great Britain with its version of Joni Mitchell's "Woodstock," Ian Matthews decided that he needed more creative freedom and left for a solo career. The subsequent album, If You Saw Thro' My Eyes, his fourth and best release since leaving Fairport Convention in 1969, was recorded and released within the next few months. It also reunited him with former Fairport bandmates Sandy Denny, who had left the band in late 1969, and Richard Thompson, who would depart by the time of this album's release. Both would bring their distinctive personalities to the proceedings without ever overwhelming Matthews' own vision. As a bandleader and songwriter, Matthews' growth is quite evident here, guiding a stellar cast through seven excellent new originals and three well-chosen covers (also included is the a cappella "Hinge" and its instrumental reprise). Throughout, Matthews' sweet yet evocative tenor is perfect for the material, which succeeds in its blend of British and American folk, rock, and pop. Furthermore, he once again shows a keen eye for the work of others, while also proving his prowess as a first-rate interpretive singer. A pair of songs written by the late folksinger Richard Farina -- "Reno, Nevada" (resurrected from Ian's days with Fairport) and "Morgan the Pirate" -- are given fresh, inspired readings, highlighted by Thompson, Tim Renwick, and Andy Roberts' superb guitar interplay, providing a real folk-rock edge. But it's the beautiful, prayerlike title track that is the record's crowning moment. Joined simply by Denny's piano and breathtaking second vocal, along with a tasteful backwards guitar interlude by Renwick, Matthews' quiet plea for guidance is as moving and personal a song as he's ever recorded. A number of other highlights, such as "Hearts," "Southern Wind," "It Came Without Warning," and "You Couldn't Lose," make If You Saw Thro' My Eyes one of the best efforts by a Fairport alumnus...Here

JOY OF COOKING - CASTLES (CAPITOL 1972) Jap mastering cardboard sleeve

GOOZLE — Mon, 24 Aug 2009 21:23:02 +0200

Joy Of Cooking were formed in Berkeley (San Francisco Bay Area) during the hippie era (1967). Their fusion sound, incorporating folk, rock, jazz, gospel and blues, had little in common with acid-rock: it heralded a new era of "creativity" and of stylistic re-evalutation.
One of the first bands led by female musicians, and one of the earliest to deal with feminist issues within popular music, the Joy Of Cooking were led by pianist Toni Brown (who had graduated in creative writing) and guitarist Terry Garthwaite (a folk-singer and an aspiring sociologist). The three-unit rhythm section, on the other hand, was entirely male. Hampered by the fact of not being the typical rock band, the Joy Of Cooking gathered a lot of critical attention but never enjoyed any commercial success. In fact, they were formed in 1967 but had to wait four years before recording an album (they were all over 30 by then). Their albums Joy Of Cooking (Capitol, jan 1971), that includes Brownsville-Mockingbird, Red Wine At Noon and Did You Go Downtown, Closer to the Ground (aug 1971), highlighted by the anthemic title-track, New Colorado Blues, Humpty-Dumpty, Pilot and The War You Left, and Castles (may 1972), with another string of soulful gems (Home Town Man, Beginning Tomorrow, Three Day Loser, Bad Luck Blues, Don't The Moon Look fat and Lonesome) displayed a sophisticated sense of melody and flexible song structures. The instrumental score crafted laid-back atmospheres that Brown's fragile contralto and Terry Garthwaite's gospel passion turned into cohesive statements of real life.
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Joy of Cooking was the first rock band to have at its heart two great women as lead singers, songwriters, and instrumentalists. The subject matter is still mostly love and loss, but the emotions are adult, and not caught in the hysterics of melodrama. This is a fine album all around, from the rocking "Don't the Moon Look Fat and Lonesome" through the deeply heartfelt blues at the end. "Let Love Carry You Along" is a great anthem from that era, just as positive and uplifting now as it was then. But these are not "message" songs that are long on intellectual substance and short on musicality and rock. They are balanced, with catchy tunes, excellent arrangements, and a subtle, folk/jazz/rock ensemble executing everything very nicely. If you want songs that speak to our lives with clarity and maturity, and that you can still hum along with and stamp your feet to, and get carried away in the emotion, this is your kind of album. Joy of Cooking put out only 3 albums and didn't last long (Brown and Garthwaite split and pursued solo careers), but the legacy they left us is a fine one.Here

TRAMP - PUT A RECORD ON (SPARK 1974) Jap mastering cardboard sleeve

GOOZLE — Mon, 24 Aug 2009 21:23:02 +0200

Tramp were a British blues band active during the late 1960s and early 1970s on an intermittent basis. This on/off activity and the loose, transient nature of the band's line-up were reflected in the group's name.
The line-up centred around the brother-sister pairing of Dave Kelly and Jo Ann Kelly, and included various members of Fleetwood Mac, plus various session musicians. The band released two albums; Tramp in 1969, and Put A Record On in 1974. All members participated in many other projects before, after and even during their time with Tramp.

LINER NOTES
Recording sessions involving musicians who do not regularly work together can be notoriously unproductive, the shelves of second hand record shops are littered with dusty remnants of what might have been a great session.
Happily 'Tramp' is a very fine exception to this rule, perhaps because although there is plenty of creative and spontaneous playing on these tracks, the songs themselves, written by Bob Hall and Dennis Cotton, are economical, witty and tightly constructed; there are no twelve minute guitar solos on this record. Every musician contributed hugely to the overall strength of performance that is obvious throughout the set. Dave and Jo-Anne Kelly are renowned for their ability as blues singers, and they tackled each song whole-heartedly, often adding new ideas whilst actually recording. Bob Hall is surely the finest boogie pianist in Britain, and has never played better than on these sessions. Bob Brunning is also a highly experienced bass player who has worked and recorded with many blues giants, forming a unit with Bob Hall which has become much in demand by impressed visiting American performers, many of whom have invited them back to the States to form a permanent band! Mick Fleetwood has been the mainstay of Fleetwood Mac for a long time, and when one listens to this exciting playing on this album, one can see why - listen to his inspired and absolutely spontaneous drum lead in during the entirely unrehearsed piano break in 'Too Late For That Now' which leads incidentally to one of the most exciting solos heard in a long while. Danny Kirwan plays crisply and economically, showing his ability, unusual among rock guitarists - to know when not to play, nevertheless turning in some pleasing solos. Dave Brooks proves just how easily he recently stole the show on some of the '73 American Blues Legends performances, and last but not least, percussionist Ian Morton adds a lot of excitement to the proceedings. Here then is a fresh and exciting album representing of more than worthwhile gathering together of some well known musical 'Tramps'.

...and TRAMP are:
MICK FLEETWOOD - Drums
Founder member of Fleetwood Mac. He played on all their hit records and is currently spending most of his time touring the U.S.A. He is an old friend of Bob Brunning who he played with in Fleetwood Mac.
DANNY KIRWAN - Guitar
Replaced Peter Green as the lead guitarist in Fleetwood Mac and previously had his own band 'Boilerhouse'. He is currently forming a new band and is touring the U.S.A. He appeared on Volume One of Tramp, replacing Peter Green as he was unavailable.
DAVE BROOKS - Sax
Tenor Player for Manfred Mann, currently freelancing and doing session work.
DAVE KELLY - Vocal
Lead guitarist and vocalist with the John Dummer Band, he has made several albums with John Dummer and also two under his own name.
JO ANNE KELLY - Vocal
Sister of Dave Kelly, she was once dubbed by Melody Maker as Queen of British Blues Singers and has made two albums under her own name. She has toured the U.S.A. and is returning for a further visit.
BOB BRUNNING - Bass
Bass player with Fleetwood Mac and Savoy Brown. He left to continue his career as a teacher, he is working with Tramp and is also a member of a band he got together with Bob Hall, The Sunflower Blues Band.
BOB HALL - Piano
Together with Bob Brunning, he has recorded and toured with a number of American Blues men. He co-wrote all the songs on the album and has made over thirty LP's with various bands including Savoy Brown.
IAN MORTON - PercussionHere

OVERLANDERS - MICHELLE (PYE 1966) JVC K2 mastering cardboard sleeve + 10 bonus

GOOZLE — Mon, 24 Aug 2009 21:23:02 +0200

The Overlanders were originally a trio composed of Paul Arnold (piano & guitar), Lori Mason (piano & harmonica), and Peter Bartholomew (guitar), with all three doing the singing. They were part of the British folk revival of the early 1960s and some of the tracks in this collection are pure folk music, most notably the lovely "Gone the Rainbow," which blows the familiar Peter, Paul & Mary version away. The group recorded with the Pye label, with Tony Hatch, who also worked with the Searchers as well as Petula Clark (his wife), producing their records. "Movin'" and "Rainbow" were the two sides of their second 45, while their third, a cover of Chad & Jeremy's "Yesterday's Gone" was ironically the first non-original song they released and their only chart success (#75) in the U.S.
With both the guitar playing and the vocal harmonies being well above average I am at a loss ot explain why we did not hear more of the Overlanders. "Don't It Make You Feel Good" is a better song than a lot of the British Invasion songs that made it to the Top 10 on this side of the pond and "Room Enough for You and Me" is pretty good too.
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In 1965 they evolved into a legitiamte beat group by adding Terry Widlake (bass) and David Walsh (drums) and had their big moment when the Beatles released "Rubber Soul." Lots of groups covers songs from the album (e.g., the Hollies did "If I Needed Someone"), but the Overlanders took "Michelle" to the top of the charts in the U.K. for three weeks in January 1966. The differences from the Beatles version are obvious, with the song being more of a rock song and not as light as what the Fab Four released. Some of you are going to find that you might actually like this cover a bit better than the original. The B side of the single, "Cradle of Love," is more representative of the group's sound, and reaffirms that the Overlanders usually had good songs on both sides of their 45s.
After the success of "Michelle" the Overlanders returned to their folk routes doing familiar American folk songs like Woody Guthrie's "This Land" and "Pick a Pale of Cotton."Here
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As you all can imagine...it was not me who deleted the "Georgie Fame" post (& others!)
From now on I have to be very careful in what is safe or not for sharing...
I still have dozens of albums to share with all of you & new releases still coming every 10-15 days, but unfortunately after the last...bang my choices are very very limited

Craig G - Now, That's more like it

GOOZLE — Mon, 24 Aug 2009 21:22:45 +0200

Craig G

Now, That's more like it

1991

NYC hip hop classic here with Craig G's 2nd album

Now that's more like it..

Probably called that because his first album "the Kingpin" was released during the year that

"Hip-House" was reigning supreme and his label Atlantic records convinced him

to record his album in that style

And this, his 2nd album was a return to the hip hop he was known for..

I.E. his CLASSIC "Droppin Science"..beats & rhymes

just loved the beats on this one back when it came out

classic Marley marl sample chopping..

dont miss The lyrically crazy "give it to me" with fellow Juice crew member Master Ace

& listen to

"Going for the Throat" a diss record to another fellow juice crew member

Mc Shan..

ENJOY

MICHAEL JACKSON -THE REMIX SUITE

GOOZLE — Mon, 24 Aug 2009 21:22:45 +0200

Universal Motown Presents:

Michael Jackson

The Remix Suite

I thought i'd throw up a few songs from this remix project for all the MJ fans here at MCB!!

Dancing Machine - Michael Jackson (Polow Da Don Remix)

Never Can Say Goodbye - Michael Jackson (Neptunes Remix)

I Wanna Be Where You Are - Michael Jackson (Dallas Austin Remix)

ABC - Michael Jackson (Salaam Remi Remix)

Skywriter - Michael Jackson (Stargate Remix)

get it now

because when the link is dead...

there's no re-up

ENJOY!!!

LOVE UNLIMITED ORCHESTRA - SUPER MOVIE THEMES

GOOZLE — Mon, 24 Aug 2009 21:22:45 +0200

Love Unlimited Orchestra

Super Movie Themes

For the homie Piz!!

one of the later more obscure Love Unlimited Orchestra albums

Super Movie Themes..

Barry White tackles such "Super themes" as

Superman, King Kong (yep, that CLASSIC disco joint) Shaft, Grease & Night Fever!

if your creative or need the dancefloor to move.. you'll know what to do with this one!!

ENJOY!!!

YAMAHA MOTIF DRUM KITS

GOOZLE — Mon, 24 Aug 2009 21:22:45 +0200

Yahmah Motif Drum Kits

As I begin to diversify the Milk Crate Breaks blog

I'd like to provide something else for my Producer clientele.

while I'm a FIRM believer of the "Sample your OWN drums & never go stock" philosophy

but I wanted to drop some basic necessities as i did with the

So here are some Drum kits from The Yamaha Motif in WAV format to be used in almost any software sampler/drium machine you can possibly be using

ENJOY!!!

Marcos Valle - Estrelar

GOOZLE — Mon, 24 Aug 2009 21:22:17 +0200

[center]A. Marcos Valle - Estrelar

B. Marcos Valle - Estrelar (Dance Version)

http://www.mediafire.com/download.php?zt2omebmnd2

Password: Flash in Flash[/center]

Patrick Swayze - She's Like The Wind

GOOZLE — Mon, 24 Aug 2009 21:22:17 +0200

[center]A. Patrick Swayze - She's Like The Wind (12 Inch)

B. Patrick Swayze - She's Like The Wind

http://www.mediafire.com/download.php?gnimyye1qxq

Password: Flash in Flash[/center]

Future Flash & king Mc - State of Shock Rapp

GOOZLE — Mon, 24 Aug 2009 21:22:17 +0200

[center]A1. Future Flash & king Mc - State of Shock Rapp

A2. Future Mc's - Erotic Rapp

B1. Future Mc's - Erotic Rapp (with rap)

http://www.mediafire.com/download.php?woookudzzam

Password: Flash in Flash[/center]

Von Love - Momentary Laps Of Reason

GOOZLE — Mon, 24 Aug 2009 21:22:17 +0200

[center]A1. Von Love - Momentary Laps Of Reason

A2. Von Love - The Art Of Freestyle

B1. Von Love - This Is How It Should Be Done

B2. Von Love - Brain Stormin'

http://www.mediafire.com/download.php?hjamtojzzmm

Password: Flash in Flash[/center]

Mc Watchout & Dj Oz - Blind Man's Stuff

GOOZLE — Mon, 24 Aug 2009 21:22:17 +0200

A1. Mc Watchout & Dj Oz - Blind Man's Stuff
A2. Mc Watchout & Dj Oz - Blind Man's Stuff (Instrumental)
B1. Mc Watchout & Dj Oz - My Tom Tom
B2. Mc Watchout & Dj Oz - My Tom Tom (Dub Version)
B3. Mc Watchout & Dj Oz - Drop The Bass (Freestyle Version)

http://www.mediafire.com/download.php?wgzzynogdnj

Password: Flash in Flash

Jackson 5 - I'll Be There

GOOZLE — Mon, 24 Aug 2009 21:22:17 +0200

[center]A. Jackson 5 - I'll Be There (Special Version)

B1. Jackson 5 - Ill be There (Acapella)

B2. Jackson 5 - I'll Be There (Acoustic Piano Version) (Instrumental)

http://www.mediafire.com/download.php?aotz0mnfcr0

Password: Flash in Flash[/center]

Marcos Valle - Estrelar

GOOZLE — Mon, 24 Aug 2009 21:22:17 +0200

[center]A. Marcos Valle - Estrelar

B. Marcos Valle - Estrelar (Dance Version)

http://www.mediafire.com/download.php?zt2omebmnd2

Password: Flash in Flash[/center]

Patrick Swayze - She's Like The Wind

GOOZLE — Mon, 24 Aug 2009 21:22:17 +0200

[center]A. Patrick Swayze - She's Like The Wind (12 Inch)

B. Patrick Swayze - She's Like The Wind

http://www.mediafire.com/download.php?gnimyye1qxq

Password: Flash in Flash[/center]

Future Flash & king Mc - State of Shock Rapp

GOOZLE — Mon, 24 Aug 2009 21:22:17 +0200

[center]A1. Future Flash & king Mc - State of Shock Rapp

A2. Future Mc's - Erotic Rapp

B1. Future Mc's - Erotic Rapp (with rap)

http://www.mediafire.com/download.php?woookudzzam

Password: Flash in Flash[/center]

Von Love - Momentary Laps Of Reason

GOOZLE — Mon, 24 Aug 2009 21:22:17 +0200

[center]A1. Von Love - Momentary Laps Of Reason

A2. Von Love - The Art Of Freestyle

B1. Von Love - This Is How It Should Be Done

B2. Von Love - Brain Stormin'

http://www.mediafire.com/download.php?hjamtojzzmm

Password: Flash in Flash[/center]

Mc Watchout & Dj Oz - Blind Man's Stuff

GOOZLE — Mon, 24 Aug 2009 21:22:17 +0200

Jackson 5 - I'll Be There

GOOZLE — Mon, 24 Aug 2009 21:22:17 +0200

[center]A. Jackson 5 - I'll Be There (Special Version)

B1. Jackson 5 - Ill be There (Acapella)

B2. Jackson 5 - I'll Be There (Acoustic Piano Version) (Instrumental)

http://www.mediafire.com/download.php?aotz0mnfcr0

Password: Flash in Flash[/center]

Leci Brando – Questo de Gosto (1976)

GOOZLE — Mon, 24 Aug 2009 21:21:41 +0200